Artworks
融 Fusion, 2025
油彩、畫布
Oil on canvas
80 cm x 116.5 cm
本作品以冰淇淋繽紛的色彩，象徵人生的多樣熱情。畫面中開合的門窗代表抉擇與機遇，梯子則隱喻向上跨越的渴望。飛翔的燕子引導觀者穿越選擇之門，展現自由流動的意象。透過油畫厚實的筆觸與層次堆疊，交織出冷暖對比的畫面深度，構築一場心靈與味蕾同步展開的旅程。這段追尋甜美多變且充滿層次，繽紛而未完待續。
This work uses colorful ice cream as a metaphor for the many interests and passions in life. Each shade traces a moment of self-exploration. The doors and windows, opening and closing in different ways, suggest choices and opportunities encountered along the way. Ladders lead toward the unknown, hinting at the desire to move forward and cross inner thresholds. Flying swallows represent freedom and movement, guiding the viewer through spaces shaped by decision. Thick oil paint and layered textures create a surface where warm and cool tones meet, echoing a journey that unfolds between taste and emotion—sweet, shifting, vibrant, and still in progress.
思 wondering 2025
壓克力、炭精筆、粉蠟筆、石英砂、畫布
Acrylic paint, charcoal pencil, oil pastels, quartz sand, canvas
116.5 x 80 X 2.5 cm
以方格象徵體制的秩序與界線。畫面中的刮痕、覆蓋、突起與跨格線條，來自身體直覺的行動，指向難以被完全收納的思緒。黃色如同不安的念頭，在格內流動、滲透，不斷試探限制。灰階與粉色交錯出內外位置的差異，有人選擇留在體制內，有人嘗試跨出領域，使畫面停留在規範與突破之間的拉扯之中，保留尚未定型的可能。
The grid symbolizes the order and boundaries of institutional systems. The scratches, layers, raised textures, and lines crossing the grids emerge from instinctive bodily gestures, pointing toward thoughts that cannot be fully contained. Yellow moves through the compartments like restless ideas, seeping and spreading while continually testing the limits. The interplay of grayscale and pink suggests the contrast between inner and outer positions. Some choose to remain within the system, while others attempt to step beyond its boundaries. The painting stays suspended in the tension between regulation and rupture, leaving space for possibilities that have not yet taken shape.
彼岸的凝視 Gaze from the Other Shore 2025
水彩、廣告顏料
Watercolor, Post color
79.5 x 110 cm
以停泊漁船作為精神隱喻，映照人與世界之間若即若離的距離。畫面藉由水彩層層滲透的透明感，交織理性線構與流動水痕，使空間游移於真實與內在感知之間。當視線由此岸望向彼岸，凝視也成為一種自我反照。船隻停泊於港灣，看似靜止，卻暗示生命始終漂流於界線之中。水色沉澱如時間留下的痕跡，在光影與潮氣交錯裡，回望存在、歸屬與未知之間難以言明的距離。
Using moored fishing boats as a spiritual metaphor, this work reflects the subtle distance between the individual and the world. Through layered transparency and fluid washes of watercolor, intertwined with structured linear forms, the composition drifts between reality and inner perception. As the gaze shifts from this shore toward the other shore, the act of looking becomes a form of self-reflection. Though the boats appear still within the harbor, they quietly suggest that life is always adrift within unseen boundaries. The sediment of watercolor resembles traces left by time, where light, shadow, and damp air converge to contemplate existence, belonging, and the unspoken distance between the known and the unknown.
一枚草莓的存在論：The Being of a Strawberry 2026
油彩、畫布
Oil on Canvas
116.5 cm x 80 cm
本作品以草莓藏於酥皮之中的意象，探問存在與表象的關係。人們往往被外在形貌吸引，卻忽略內在始終保有的本質。草莓象徵生命最初的狀態，經過層層包覆與時間烘焙，依然完整存在。
作品藉由日常甜點引發觀看者思考，在生活的平凡之中，每個人是否也都包覆著一顆未曾改變、等待被理解的內心。
Through the imagery of a strawberry hidden within layers of flaky pastry, this work explores the relationship between existence and appearance. We are often drawn to outward appearances, while overlooking the essence that remains within. The strawberry symbolizes the original state of life. Even after being wrapped in layers and transformed through the baking of time, it continues to exist in its entirety.
Using an everyday dessert as a point of departure, the work invites viewers to reflect on their own lives. Within the ordinary, might each of us also carry a heart that has remained unchanged, waiting to be truly understood?